The plot surrounding the emotional core is convoluted. By the end it is infused with yearning, that rare and vanishing sensation in a world where nothing is forbidden any longer, which helps give the series the edge of grandeur the genre always seeks. As they cross the plains in search of their different ideas of peace, the relationship between these two lost and harrowed souls becomes deeper and more tender in a way that avoids and transcends mere romance. One semi-mutual rescue and at least four bloody deaths later, their fates – along with his quest and her revenge narrative – have become firmly intertwined. It becomes clear that news of her vengeful intentions has gone before her and that Watts is under instructions to kill her. She tries to buy his safety but is beaten for her trouble. There she finds the manager, Mr Watts (Ciarán Hinds, in the most terrifying of all his terrifying modes), in the process of torturing Eli. Our heroine is Lady Cornelia Locke (Emily Blunt), who arrives at a remote hostelry in Kansas from England, on the trail of the man she holds responsible for her son’s death.
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